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Plotting 'God Like Me'

by mikepence
Posted to Knowledge Exchange, Plot on Wed Aug 18, 2004 at 02:47:27 PM PST
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I have decided to approach working on my novel, God Like Me, in much the same way that I approach most other things in life: learn how it Should Be Done, then do it as I please.

So forget all of those books that tell you to hide yourself away in a hermetically sealed chamber until the First Draft emerges...this is the era of the net, of collaboration and sharing. Will you join me in a game of Help Mike Plot His Novel?


In a nutshell, or whatever you call the single sentence summary of a novel, the story is:

"A cubicle slave realizes that he is the Second Coming and seeks to re-live the life of Jesus in 21st Century America."

So the protagonist, I'll call him Chad, is a Jeff Goldblum-ish character, trapped in his high tech cubicle world and very much wanting to find meaning in his pathetic, angst-ridden life. He experiences an epiphany, possibly secondary to a traumatic event (inciting incident) -- maybe a car crash (an inciting accident?) -- wherein he realizes that he is the Second Coming and it is time to leave his ordinary life behind.

Enter the dynamic tension of the piece: Is this guy Christ or is this guy crazy? By extension, was Jesus of Nazareth simply an overachieving sufferer of bi-polar disorder?

By my measure, the book is only a success if there are people who want to burn it.

Let me digress for a moment into perspective. I am of the opinion that this must be a story told from the first person perspective. The protagonist's external battles will be with The Law as personified by some law enforcement official and with Religion as personified by some religious figure. This would probably work best with The Law serving as minions of Religion -- much like the Jews in the 1st Century used the Roman authorities to achieve their end: the death of Jesus. Chad really believes that he is the Messiah, and I want the reader to go for that ride with him, to maybe believe it themselves.

Among his friends (sidekicks) will be one or more people who insist that  he is bi-polar (foil?) and that he must seek medical help. Others will believe in his calling, and, most importantly, though plagued with doubts, he feels a certainty about his newfound identity.

So, we've introduced the protagonist, ripped him out of his pathetic life and hurled him toward an uncertain fate. Now, what is the 1st act turning point (1TP), the rabbit hole that he descends irrevocably down, the Point of No Return? (Que Kansas).

What I am not doing here is re-telling the story of Jesus. I considered doing that and quickly decided not to. He is not going to go run into a guru (like John the Baptist) in the netherworld of the wilderness. There has to be something else that Chad chooses to do that, knowingly or not, puts him over the edge and irreversibly on his path. This could, and probably should, involve some kind of guru character.

Allow me another digression -- I know, I am jumping all around here -- to talk about the tone of the piece. This is intended to be a very irreverent, though ultimately redeeming, what-if scenario that looks at the qualities that Jesus displayed and juxtaposes them with what the modern world, and modern Christianity, have become. Jesus was infamous for hanging out with the prostitutes and tax-collectors -- the lowest scum -- and so Chad will seek to be among the oppressed in the inner city (putting him in significant danger from both the rabble and The Law). Jesus dressed like the common men of his time, so Chad will get pimped out. You get the idea, it is about taking our preconceived notions of what a Messiah would be, and turning them on their head.

Clearly this needs to be handled with some subtlety. I am not out to do The Life of Brian -- an overt send-up of 1st Century Christianity. I am only being overt with these themes here to deal with the structure.

Back to the story: So Chad does something which puts him over the line, past the Point of No Return. It could be as simple as him smoking some weed (mental transformation) and then taking a bus to the inner city (physical transformation). So let's say that he goes to the inner city, the netherworld, and from there into the realm of the antagonist, possibly a church or a religious revival. Here comes the big middle-of-the-2nd-act confrontation. The antagonist wants to act on his calling, he wants to help people as the Messiah as a way of finding meaning in his life. The protagonist wants to maintain his monopoly as the authoritative gatekeeper to the Divine.

Mayhem ensues. The crowd wants to follow Chad and the antagonist is driven from his own pulpit -- only to return with The Law to lock Chad up. Chad soon finds himself institutionalized, facing a battery of charges, on the business end of an injection of Thorazine. This is the 2TP: Chad is left drooling and incontinent in a padded cell.

Chad finds something/someone in the mental institution that reignites the fire within him, that gives him, forgive me, The Eye of the Tiger. Some kind of baptism follows -- I could have fun with that one -- and he is back on the path toward the final showdown with the antagonist.

That is about as far as I have gotten. In the final confrontation, Chad is mortally wounded. He languishes in a hospital bed, and is visited by a sympathetic friend. He talks about how he -- Chad/Jesus -- keeps trying to come back, but mankind keeps killing/banning/institutionalizing him no matter what form or period of time he tries to come back in. He recognizes that it is a futile exercise, that, as the Cabala says, Messiah will come only when he is no longer needed, when we realize that it is up to us to save ourselves, that we, as the Gnostics believed, are our own Messiah. Still, he persists in trying if only because there are those who need hope.

As his sympathetic friend is leaving the hospital, a hospital worker expresses their regrets at the death of Chad some three days prior.

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Plotting 'God Like Me' | 10 comments (10 topical, 0 hidden)
Sounds interesting (5.00/2) (#3)
by jasoneaton on Fri Oct 29, 2004 at 11:52:46 AM PST
But what's the point, what's the heart of the novel, and how does the action reveal that point?

All you should need is to answer that question and sit down to write it.

One thing I would reccommmend strongly is to work it out on your own, for several reasons:

1) You want to write your novel, not mine.
2) I want to write my novel, not yours.
3) Sharing too much of a work in progress could lead to copyright disputes down the road, if you know what I mean.

I can understand the rationale for cross checking the plot, but it's a tried truism that writing is a solitary art that doesn't suffer outside interferance very well.

Once it's written, a second set of eyes is indispensable. Until then you need to treat it like a cocooned insect. You may be very eager to show your butterfly, but if you try too soon in the end all you'll get is a dead, funny-looking caterpillar.
--
"I have sworn upon the altar of God, eternal hostility against every form of tyranny over the mind of man." --Thomas Jefferson

Cool (3.00/1) (#4)
by mikepence on Fri Feb 18, 2005 at 08:02:46 AM PST
Looking at this six months later -- now *really* ready to get started -- I see that your question is the first one I must answer.

Thanks.

[ Parent ]

I'll admit (4.00/1) (#5)
by sabeth on Fri Feb 18, 2005 at 08:29:57 AM PST
I've only just now read your article and the outline of your story. To elaborate on jason's suggestion of getting at "the point" of the story, I'd ask, what is it about the Law and about Religion that Chad is opposing? What aspect(s) of the modern world he is most at odds with? I imagine once you put your finger on what that is -- what he cannot be reconciled with -- that will point you to a natural event that will put him over the edge. Maybe you've already got this in your head but haven't stated it, in which case you just need to figure out how best to highlight it.

--ich sage nicht, was ich will, sondern was die Sprache will--
[ Parent ]
Some other thoughts (3.00/1) (#1)
by mikepence on Thu Sep 02, 2004 at 01:29:48 PM PST
I was also thinking about maybe moving the story into the future, where the religions have made a power grab by becoming corporations and the corporations have developed religious followings through marketing campaigns customized for each invidvidual via the vast corporate databases of consumer data. The two have become indistinguishable, even presenting co-branded products.

Injecting a Messiah into a world like this

Could be fun (3.00/0) (#6)
by janra on Fri Feb 18, 2005 at 09:49:20 AM PST
but if it's not the point of the story, make sure it doesn't get too heavy-handed. After all, readers can only take so much preaching before they get fed up ;-)
--
Who needs to be big and burly when you can just apply physics?
[ Parent ]
Worker (3.00/0) (#10)
by mpu2 on Mon Apr 16, 2007 at 03:22:12 AM PST
Hmmm (2.00/0) (#2)
by Anonymous Writer on Fri Sep 03, 2004 at 05:22:43 PM PST
I think you should reconsider the "Second Coming of Monty Python's Life of Brian" idea.  In the story world you are setting up, what would it be like for a modern-day Brian to live in the shadow of Chad?

So...? (2.00/0) (#7)
by Anonymous Writer on Sun Jun 05, 2005 at 11:40:36 PM PST
Did you eventually complete "YOUR" Novel?

good concept, where can I read it? (2.00/0) (#8)
by Anonymous Writer on Sun Aug 07, 2005 at 11:15:06 AM PST
I just read your post about your request for help with a plot.  I'm impressed with how far you'd come already.  It made me realize just how much more work I have to do on my own novel!  I'd love to know how far you've gotten, I think you were definitely headed in the right direction, you left me wanting to read more which is always the goal, right?

Looking forward to your reply.  --DKelblaine

Your novel (2.00/0) (#9)
by Anonymous Writer on Wed Jun 07, 2006 at 08:39:42 PM PST
I am late to the game, but suggest that you read Gary Wills' book, What Jesus Meant for ideas on how to correlate the behavior of a modern day messiah to Jesus.  It may also be helpful to read any autobiography of a manic-depressive.  It is interesting to note that Jesus "disappeared" from adolescence to adulthood.  Could this have been the period of depression that preceded the creative mania in his last few years?

Plotting 'God Like Me' | 10 comments (10 topical, 0 hidden)
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