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Where do you get your ideas? | 20 comments (14 topical, 0 hidden)
self-censorship (3.00/0) (#13)
by janra on Sun Jan 23, 2005 at 08:34:42 PM PST
At least for me, if I don't write the inane ideas down I have a hard time getting past them; they're usually the obvious ones and are very insistent on being heard. Once they're on paper I can move on and get to the interesting stuff. And hey, sometimes something inane leads to something interesting, even if it isn't any good in itself. Taking an inane idea, recognizing it for what it is, then turning it upside-down has resulted in some good ideas for me.

Coming up with ideas is innate - but it's a talent can be trained, just like the balancing you do when riding a bicycle. Some people pick it up really quickly, and some people are always a bit wobbly. (Yeah, I know, almost anything can be compared to riding a bike, and it's a lame, overused metaphor.) I think of writing out my brainstorm in a "spider diagram" like mental training wheels - it helps keep me upright, but it isn't what actually generates the ideas. Coming up with ideas, "the muse", inspiration... a bit of practice makes the muse more likely to wander by, or inspiration to strike.

Although I must say this is the first time I've seen free-writing called a "systematic, artificial construct" :-) (Personally I don't like free-writing either, as it cramps my hand and produces nothing of interest.)
--
Who needs to be big and burly when you can just apply physics?
[ Parent ]

free-writing (3.00/0) (#14)
by kitten on Sun Jan 23, 2005 at 09:05:25 PM PST
Free-writing may be the sole exception to my label of "artificial", but for me it's always been just as useless. It depends too much on having an idea to begin with; if I could just sit there and pop out ideas, well, I wouldn't need to bury myself in these sorts of excercises.

I said this once before but I'll say it again -- this sort of thing always reminds me of Marty McFly telling George to say to Lorraine "whatever comes to mind", and George globbers for a moment before saying "Nothing's coming to mind!"

I can't just sit there and force inspiration. If it works for you, I can only take your word for it, because I canot even imagine such a process working -- that's how far out of the realm of possibility it is for me.
kitten.
[ Parent ]
"whatever comes to mind" (3.00/0) (#15)
by janra on Mon Jan 24, 2005 at 05:01:47 AM PST
Ah, but I don't write "whatever comes to mind" when I'm brainstorming. I ask questions - how? why? what if? what if? and write down as many possible answers as I can come up with. Waiting for inspiration has never been effective for me. Hunting it down has, and the minimal structure of a spider diagram is one I find useful.

What does work for you then?
--
Who needs to be big and burly when you can just apply physics?
[ Parent ]

What works for me? Nothing! (3.00/0) (#16)
by kitten on Mon Jan 24, 2005 at 05:08:58 PM PST
Which is why I'm here looking for ideas. Unfortunately -- and I wish to stress that this appaers to be solely my own problem -- I've found nothing (yet) that helps.

Sometimes I'll think of a good line -- a phrase or two, really -- and work an entire story around that. Sometimes not even a story; more like a miscarriage of a journal entry. Sometimes I'll grab a lyric from a song and do something with that. Every once in a while I'll have an original thought of my own. But there's the rub -- either I have a thought, or I don't, and when I don't, I've found no technique or excercise or visualization or meditation or anything else that suddenly causes ideas to flow forth like a righteous fountain.

So you ask questions -- how, what if, why -- and I still sit there saying, how what? I have to have something to ask questions about.
kitten.
[ Parent ]
questions (5.00/1) (#17)
by janra on Mon Jan 24, 2005 at 09:40:32 PM PST
I guess part of my creativity is coming up with questions, then.

But to use your examples: (These are starting points only, to give you an idea of the types of questions I meant. Not all of them will apply to a particular example.)

A phrase or two. What are three different ways the phrase(s) could be interpreted and misinterpreted, together and separately if there are more than one? What are three possible character types that the phrase could describe? (This doesn't have to be a direct description.) What would two or three "opposite phrases" be? (yes, multiple "opposites"... think of "I am always right" as having "I am always wrong" and "you are always right" as two of its possible opposites... and those two aren't the same thing, nor are they opposites of each other.) Why would somebody say that phrase? (even - or especially? - if it isn't originally intended as a line of dialogue)

A song lyric. What are three different literal things the lyrics could be a metaphor for? What are three kinds of characters those lyrics could be used to describe? What are three events those lyrics could be used to describe? What about in an ironic fashion? A literal fashion? A metaphoric fasion?

An original thought of your own. ... well, it's a bit harder to come up with questions for this one without knowing a little bit about it :-)

How what? You are asking questions about your tiny seed of an idea, trying to find what will make it grow. I deliberately phrased the questions so that they specifically asked for more than one answer (three was chosen arbitrarily, you can come up with more answers than that if you like) because the first answer and usually the second are obvious and crappy answers that you don't want. I've gotten in the habit of making multiple answers, so I don't usually phrase my questions that way, I just keep repeating them until I think I have enough answers.

If you would like some more specific questions, I idle in #writing and am even at my computer for a good chunk of the day tomorrow (Tuesday). Feel free to drop by :-)
--
Who needs to be big and burly when you can just apply physics?
[ Parent ]

Characters & situations (4.00/2) (#18)
by ana on Fri Feb 04, 2005 at 05:37:45 AM PST
I tend to create characters first, and perhaps put them loosely in a situation and let them figure out what to do next. I find it's important to give them names and spend a bit of time getting to know them (perhaps writing backstory or something, which need not appear in the final work). After that, they just do whatever they want, regardless of my ideas.

So sometimes I'll be reading a book or watching a TV show or something and have an idea for a situation that I would perhaps have handled differently. And the old What if... question comes to mind, and I sit down to write, or at least to sketch out, a story.

It's often the case that these things occur to me from asking questions like "How would life be different if I were..." of "What kinds of senses to trees have, and what do they do with the information they take in?"
Exploring dark places since last Thursday
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Where do you get your ideas? | 20 comments (14 topical, 0 hidden)
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